Time now for the third instalment of #AYearInBooks, in which I track the non-academic reading I do. Here’s why I’m doing this. Perhaps surprisingly, the pandemic lockdown hasn’t increased my reading rate much – although it has increased my baking rate, my Wii Golf playing rate, and most recently, my cab-view-train-trip-youtube-video-watching-rate. Anyway, on to the most recent stack of books.
The Word is Murder (Anthony Horowitz, 2017). This is a murder mystery
, but a rather light and playful one (those who don’t read murder mysteries may find that a strange idea). It’s also one with a gimmick: the author is also a character. I don’t mean just that it’s told in the first person; instead, the author Anthony Horowitz literally appears as the narrating character, with the same name and background, frequent references to his other books, and so on. The Word is Murder has lots of things I enjoy in a book: a carefully constructed British mystery, details of something I don’t know much about (in this case, acting school), and a connection to books and the world of writing. But I can’t decide if I liked this book a lot or merely a little. The gimmick seemed a bit gimmicky, and the carefully constructed mystery sometimes felt a bit, well, constructed. There’s nothing wrong with a quick, light read; but next time, back to Peter Robinson or P.D. James. Continue reading →
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