Warning: navel-gazing AND trivial, all in one tidy package
I spent a fish-out-of-water hour last Friday, hanging an art exhibit. Nothing in my career made me suspect I’d ever do that – and given my complete lack of artistic ability*, you’ll be relieved to know that it’s not my art. Instead, I was hanging an exhibit of the illustrations from my book, Charles Darwin’s Barnacle and David Bowie’s Spider. They’re gorgeous, thanks to the expert work of science illustrator Emily Damstra, and if aren’t in Fredericton to see the exhibit, then you can come close via this post and the online exhibit it links to.
I did feel like a fish out of water Continue reading
I’m excited: the second edition of The Scientist’s Guide to Writing is now available for pre-order!
I’ve been working on this second edition for a year and a half now. While you can’t have it on your shelf just yet (it’s slated for publication January 11, 2022), you could in principle order a copy today.* For anyone who just can’t wait, here it is directly from the Princeton University Press, and here it is on Amazon (that’s the US link; here’s the Canadian one, and the UK one).
What’s in the second edition, and why might you be as excited as me? Continue reading
I’ve just read Graham Moore’s The Last Days of Night, a novel based on the battle between Thomas Edison and George Westinghouse over AC vs DC electrification in the 1880s. This was a fascinating story*, but I’m taking off from it on a tangent today. The epigraph for Chapter 23 is a quote attributed to the architect and futurist Buckminster Fuller: “There is nothing in a caterpillar that tells you it’s going to be a butterfly”. Now, given my cringeworthy memories of what I was like in high school, I should be 100% behind this quote. The problem: as an entomologist, Buckminster Fuller was an excellent architect.
The quote, you see, is nonsense. Continue reading
For as long as humans have been telling stories, they’ve been making up creatures to populate them. Orcs and ents; snallygasters and golden snidgets; and many thousands more. Some stories give us only fleeting glimpses, while others paint their creatures in more detail. Only a few, though, give their creatures Latin (scientific) names. As you may have noticed, I’m fascinated by names and naming. So here are a few examples of fictional species that bear fictional Latin names. There’s no database of such things, so this is a quasirandom set I’ve run across recently. Do you know of more? Please add them, in the Replies! Continue reading
Charles Darwin’s Barnacle is a year old! Not the species – that’s probably a few million years old, or at least that’s a guess given the average lifespan of a species. And not the name “Charles Darwin’s Barnacle”, which is 138 years old (the deep-sea barnacle species Regioscalpellum darwini was originally described by Hoek in 1883 as Trianguloscalpellum darwini). It’s my book: my book Charles Darwin’s Barnacle and David Bowie’s Spider is a year old.* It’s a little hard to believe.
People often ask me how the book has sold. I don’t really know (because other than Amazon sales rankings, I have no data), although I can tell you that it spent exactly zero weeks on the New York Times bestseller list. Continue reading
The Scientist’s Guide to Writing, my guidebook for scientific writers, will soon have its fifth birthday. I’ll probably bake it a cake, because any excuse for cake is a good excuse, right? But I’ll also be looking forward to a bigger cake, about a year from now, to celebrate the launch of its second edition. Just last week, I sent the manuscript off to my editor, to go through that mysterious process that is book production.*
People sometimes grouse about books that have new editions (I know, because I’m one of those people, especially when it’s a textbook.) Sometimes, no doubt, it’s a cynical ploy to sabotage the used-book market and sell more new copies. So I’ll forgive you if you’re a bit skeptical. Why does the world need The Scientist’s Guide to Writing, 2nd Edition? Continue reading
No two people ever see a book quite the same way (as many folks noticed during my long, dull #AYearOfBooks post series). If you want a great illustration, consider this:
I know, you’re not supposed to read your reviews.* I can’t help it, and there are rewards. Continue reading
They say you shouldn’t read your (book/album/movie) reviews, and I suppose they have a point.*
Charles Darwin’s Barnacle and David Bowie’s Spider, my book about eponymous scientific names and what they reveal about science and society, has been out long enough to have accumulated half a dozen Amazon reviews. (Incidentally, one easy thing you can do that really helps a small-time author out is to leave a review on Amazon or Goodreads. Here are some more easy things you can do.) I’m happy that overall, people have enjoyed the book (and I think you’d enjoy it to, so stop reading this post and get to your nearest public library or bookstore). But I’m intrigued by one theme that crops up a few times: the book is “political”.
It really is a theme. Continue reading
This is it: the last instalment of #AYearInBooks (in which I’ve been tracking the non-academic reading I do). Here’s why I decided to do this. After I report on my year’s last few books, I’ll wrap up with a few comments on the experience.
The Chrysalids (John Wyndham, 1955). There’s a certain feeling of dread when you pick up a book you loved 30 years ago and haven’t opened since. Will it hold up, or will you lose that happy memory? (Rewatching the first few seasons of M*A*S*H had this problem; as much as I loved the show, the early episodes, at least, didn’t age well.) I’m happy to say that The Chrysalids really is that good. It’s post-apocalyptic building-new-society science fiction, with a strong message of tolerance for the different – a message that hasn’t lost any importance in the 65 years since The Chrysalids was written.. I’m encouraged now to re-read Chocky, which was always my favourite of Wyndham’s books. One more thing. Usually I use the current book covers to illustrate – but check out the lurid cover of my Penguin edition! Remember when science-fiction book design boiled down to “paint me something alien, and if it’s totally unrelated to the book, that’s a bonus”? My Penguin edition does. Continue reading
Read any good books lately? I have.
CP Snow famously argued, in the 1950s, that science and the arts/humanities were “two cultures”, with a gulf between them that was far too seldom bridged. While there’s been pushback against Snow’s portrayal,* it’s surely true that there’s more separation between the two than there ought to be (just as an example, I’ve commented here on the relative dearth of scientists as characters in novels). After all, if points of contact between science and the arts were commonplace, people (including me) wouldn’t be so fascinated with them when they do occur. Continue reading