My most important work is not what I’ve always thought

Image: This mobile, hanging in my office, was given to me by my friend Mary Harris when I got tenure.  It’s driftwood from the Skunk River in Iowa.  I’d just gotten tenure, and it’s made of dead wood – get it?

A rather poorly-executed and very poorly-communicated study made a big splash last week, with the claim that half of all ecologists “drop out” of the field within just 5 years.  The many, many flaws in this way of measuring and communicating people’s career trajectories have been thrashed out in other places, so I’ll just note for the record that by the paper’s critera, I myself have “dropped out” of the field.* 

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How long should you wait before nudging the journal about your manuscript in review?

Image: “Waiting”, Edgar Degas, circa 1882 (pastel on paper). Collection of the Getty Center, Los Angeles.  Public domain.

I’m sure it’s happened to you.  It’s happened to me.  With excitement, you punch the “submit” button, and celebrate your manuscript being off your desk and into peer review.  And then you wait.  And wait.  And you wait some more.  Sometimes, it feels like you’re waiting forever.  When that happens, is it appropriate to e-mail the journal office to ask what’s holding things up?  And if so, how long should you wait?

The “publication power-of-attorney”, and why you should have one

(This is a lightly edited version of a post that originally ran in January 2015. But you probably didn’t see it then.) 

Here’s a problem you might not have thought of: did you know you can submit and publish a paper with a coauthor who’s deceased, but not with one who’s in a coma and might recover?

A lot of people have never thought of this, and a lot don’t think it’s a problem worth worrying about.  Please bear with me, though, because I think it’s a more important problem than most of us realize – but also one that’s easily avoided.

The unavailable-coauthor problem is actually more general than my coma example.

Do you really have to rewrite your Methods for every new paper?

Image: Recycling logo by gustavorezende, released to public domain

Warning: long post.  There’s a TL;DR in the Summary at the end.

Is recycling Methods text from an old paper, to use in a new paper that applies the same techniques, efficient writing – or self-plagiarism?

We’ve all had the dilemma.  You write two papers that use (at least some of) the same methods.  For the first paper, you craft a lovely, succinct, clear explanation of those methods.  For the second paper, you’d like to just cut-and-paste the Methods text from the first one.  Can you?  And should you?

Why journals like “reject, but resubmit”

It happened to me again, a few weeks ago: a manuscript I’d had high hopes for came back from the journal with a decision of “reject, but with an invitation to resubmit”.  It’s better than a flat-out reject, to be sure, but disappointing nonetheless.

There’s a widespread belief – almost a conspiracy theory – that journals use “reject, but resubmit” as a device to cheat on their handling time statistics (by which we mostly mean time from submission to first acceptance).  After all, if a manuscript gets “revision”, the clock keeps ticking from the original submission; but “reject, but resubmit” means we can pretend the resubmission is a brand new manuscript and start the clock over.  Clever but deceptive move, right? 

The coauthors I’ve never met

As of two weeks ago, I’ve published 76 peer-reviewed papers, and I’ve published them with 114 different coauthors.  Among those coauthors are my graduate and undergraduate students, my colleagues, my friends, my wife – and quite a few people I’ve never met.

Temporal trends in the Journal Diversity Index

Warning: astonishingly trivial

Three weeks ago I showed you my Journal Life List, and I invented the Journal Diversity Index (J/P, where my P papers have appeared in J different journals).  A lot of you liked that and calculated your own JDIs, and I don’t know that we learned anything profound, but it was fun and there’s nothing wrong with that.

But I can never leave well enough alone.